The Big World of Cultural Photography

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When I was a boy I would entertain myself by tracing maps out of a child’s world atlas. I would overlay a sheet of onion skin paper, the kind that was used to send airmail letters because of its reduced weight, and then I would trace.  I traced mountains. I traced countries and political boundaries. Archipelagoes, inlets, islands, isthmi, lakes, land masses, peninsulas, rias, rivers, and straits were all described by my #1 pencil.  I drew South and Central America so much that to this day I can do a pretty good outline by myself without an atlas.  

Certain formations fascinated me and have influenced my travel. Places like the Baja California peninsula or Lake Titicaca.  But none sparked my imagination like the Gulf of Fonseca which takes a gouge out of the Pacific coastline right where Nicaragua, Honduras, and El Salvador meet. What was this interesting body of water surrounded by three countries? And who was Fonseca, a name I always associated with Portugal?

In the latter part of the 20th century the area around the Golfo de Fonseca was extremely dangerous what with the Contra War, a proxy war where forces backed by the United States (the Contras) and a revolutionary government backed by the Soviets (the Sandinistas) turned the Nicaraguan cityscapes and countrysides into a war zone.  Add to that the flow of money and the smuggling of goods including drugs. 

When I moved to Nicaragua in 2017, the Gulf of Fonseca was back-burnered, forgotten, and laying fallow in some recess of my mind. I was occupied wandering around other places in Nicaragua documenting my travels and capturing the wonderful smiles and faces of the people I met.  

One evening I was enjoying myself at the Hotel Azul. A colonial gem right up the street from the Cathedral and thus only a few varas from my apartment, the Azul was my office where I would be frequently seen sipping chardonnay or 18 year-old Flor de Caña.  I was engaged in conversation with a Scottish ex-pat and long-term resident of Nicaragua who mentioned that I should include in my travels Volcán Cosigüina in the northwest.  A volcanologist who is one of the few people to ever go into its crater, he described its eruption in 1835 as a violent vesuvian event that blew the cap off the mountain.  Further, the crater’s lake was slowly filling up and the weak sides of the cone would some day collapse. Pretty exciting stuff.  I was intrigued. Better hurry it seemed. When he added that the view at the top included the Gulf of Fonseca ‘at your feet”, I enthusiastically embraced the challenge and made plans.

Soon after, I hired a Guide and Driver and we set out in a panzer-sized Toyota Hilux towards Cosigüina in the remote northwestern reaches of Nicaragua.  We stopped over in Chinandega, Nicaraguas’s hottest city, to pick up his friend and enjoy a fritanga of chicken, rice, beans and plantains while sitting on flimsy cheap Chinese chairs and swallowing Cerveza Toña, a local elixir. We toured Chinandega, including Nicaragua’s best meso-american museum hidden away in a small private school, and later slaked our thirst with more Toñas. The next day we stopped in El Viejo, to see the famous basilica and the famously guarded la Virgen del Trono.*

After negotiating roads that were roads in name only, we finally made it to our base camp: a lovely well-appointed lodge surrounded by the forest treetops. Our sole dinner companion was perched on a power line:  the turquoise-browed motmot,  known in Central America as the  guardabarranco, it is the national bird of Nicaragua and so named because it perches over roads, gullies, and arroyos seemingly watching over them. I considered this a good omen. 

Our dinner companion: a guardabarranco.

Our dinner companion: a guardabarranco.

Over dinner my trusted G&D advised that we would need to add to the payroll another guide for the final climb on foot. He would be waiting for us somewhere along the way.

We found Inez waiting for us somewhere along the way the next day as planned. I negotiated a fair rate with him to guide us up, so we parked and started walking.  Along the road at first, then later through the brush, and up the sides of Cosigüina.  Although the volcano is not that high (2900 ft), the paths are deceiving and sometimes hidden. Add to that the fact that Nicaragua once had more land mines than any other country in the world and there are areas where you just don’t trespass makes having a guide a good policy.   Since I did not want to climb up on one leg as that would slow our progress, Inez’ fee was more than reasonable.

The amble up the volcanic rocks and forest overgrowth was pleasant enough with shade here and there to provide relief. It was still hot, humid, and dirty, but not that bad.

Inez and I chatted. He spoke about his home in Chinandega and his fascination with this volcano.  I shared what I had learned from the vulcanologist friend in León much of which he knew or pretended to know. Inez was well-read in the areas of flora, fauna, and topography of his country but still a humble and affable person to spend time with. 

We made it to the top, the last 100 meters being almost straight up as the volcano has a very thin cone ready to be breached by the crater’s lake 500 feet below us. Filled with emerald green, boiling water, surrounded by a thick lush forest, the shades of green between land and lake were blinding, dazzling. Raptors flying past our heads, in and out on the updrafts of air heated by the volcano added to the cinematic quality of the experience.

The crater. Cosigüina.

The crater. Cosigüina.

And behold, in the middle distance, way below us, lay the Gulf of Fonseca.  I followed its shape, saw the numerous islands, and almost felt like I had been there before; it was oddly familiar.  There it was straddled by Honduras on the right, El Salvador straight ahead, Nicaragua where I was standing!

We, Inez, my trusted G&D, and myself were enjoying the searing heat and gazing in silent awe at the view. On top of a fragile volcano, the vast Pacific Ocean, the familiar gulf, three countries and we heard only the wind and the birds. Then, Inez said something I will never forget, this self-educated man from a magical corner of the earth with much to teach a traveler such as myself, “the world is a big place.” Yes, indeed, the world is a big place and worthy of awe. Something I remember and keep to myself whenever someone says to me “small world”. 

Inez, a local Cosigüna guide, and the author at the edge of the crater.

Inez, a local Cosigüna guide, and the author at the edge of the crater.

We avoided land mines on the return down the volcano.

* Anecdote told to me by a caretaker in the Basilica: 

When Pope John Paul II made a pastoral visit to Nicaragua in the 1980s, right in the middle of the Contra War, it was decided that too many dangers lurked for His Holiness to travel outside of Managua.  La Virgen del Trono, it was decided, would travel to Managua so the Pope could see her, bless her, say a Mass in her honor, etc.  Church officials arrived in El Viejo with that purpose only to be met by a mob of machete-wielding parishioners. They blocked the entrance to the church and refused to have the virgencita taken.

So, cooler heads prevailed, and the church officials went back to Managua sans the virgen. A Mass was said in her honor by proxy. 

Cemeteries and Me

They existed. They existed.
We can be. Be and be
better. For they existed.

-When Great Trees Fall, Maya Angelou

Forward

I think i should explain my obsession with cemeteries. They give me peace. When I walk into one to take photographs I forget everything and concentrate on the place. I forget about wars and death and cruelty and greed and poverty and hate and misery that is everywhere. Then I read the headstones and they pull me in, like the pages of a discarded paperback. What were their lives like? How long did they live? Who loved them? Sometimes these questions can be answered through historical dates, epitaphs, and simple math. Sometimes not.

Our lives are very complicated. Pandemics. Conflicts. Fear. Love. Loss. Day to day existence. Even memories. These are all stew for the anxious mind. A technicolor panoply of thought that overwhelms me sometimes, but in a cemetery my thoughts drift towards a peaceful enjoyment of the moment. In these places I find art, someone else’s memories, and color and architecture, pretty landscaping and a sense of spiritual things. The history or even the feel of a place can be found there: great men, lowly citizens, centenarians and infants, mothers, brothers, and strangers. Good and evil.

Yet, I don’t believe in burials. I don’t believe in an afterlife really, which is why I want to make the most of my present life. I’ll surrender my body to science or a hospital, I won’t need it, I will not have my own grave or my own epitaph with its list of dates and touching message. Any memories of me will be carried by my kids, my friends, and the people I have met.

My Journey through the groves of the dead

Everywhere I go now I make an effort to see the local cemetery. Some are magnificent, some are sad and depressing. I have been to them in Europe: Britain, Scotland, Spain, Portugal, Iceland, Estonia, Latvia, Lithuania, Poland, and more. Through the southwestern United States in poor small towns of Tierra Amarilla. Central Mexico. Central America. Colombia, Peru, Argentina. And tours. I’ve gone on many tours. In Austin. In Paris. In London. I’ve seen crypts, mausoleums, ossuaries, pet cemeteries.

First Experiences

My first memories of visiting a cemetery for the sheer love of seeing the magnificent buildings, stones, and tree-lined avenues are of Recoleta Cemetery in Buenos Aires, final resting place of Eva Duarte, Luis Firpo, Diego Sarmiento and other Argentine luminaries. It was in the early 1960s, I was nine years old, we were living in the Alvear Palace Hotel and my mom took me for walks through the grand streets and boulevards of the cemetery. It’s a magnificent, fragrant place.

I returned this year (2020) to fire up those memories again; recalling the cemetery and vivid remembrances of the neighborhood. I recalled learning to ride a bicycle across the entrance from Recoleta. It’s paved smooth now. It was cobbled stoned when I was young.

Evita Peron’s grave is actually very nondescript and uninteresting. I don’t have any good, shareable images of Recoleta. I was more taken by the Cementerio de Chacarita a few miles away where I photographed this imposing family mausoleum. Both places are grand, European-styled grounds with lots of Neo-this and Neo-that architecture. If you like grandeur and belle epoch architecture, Buenos Aires is IT!

Mausoleum and crypt of a wealthy porteño family in the Chacarita Cemetery in Buenos Aires.

Mausoleum and crypt of a wealthy porteño family in the Chacarita Cemetery in Buenos Aires.

Vienna, Austria

By far the largest and most imposing cemetery I have seen anywhere is the Vienna’s Central Cemetery. Although there are dozens of cemeteries in Vienna, this one holds more than 300,000 bodies including enough composers to fill a music library. Among them Beethoven, Brahms, Gluck, Salieri, Schubert, and Strauss.  It’s also the place where Harry Lime was buried, twice!

The image below is of the main church of the Vienna Cemetery, St. Charles Borromeo. Imposing, cold, and forbidding, its design is called Vienna Secessionist.

I made a mental note to visit this place when I first saw The Third Man, written by Graham Greene, starring Joseph Cotton and Orson Welles. There is a striking scene at the end of the film in this place that shows the elegance, loneliness, and enormity of the Vienna Cemetery. When I return it will be in the winter, this photograph is from fall.

St. Charles Borromeo Church, Central Cemetery in Vienna. A must visit for fans of The Third Man.

St. Charles Borromeo Church, Central Cemetery in Vienna. A must visit for fans of The Third Man.


Chichicastenango, Guatemala

Few countries rival Guatemala in terms of color and mystery of their cemeteries. The mix and syncretistic aspects of indigenous and Catholic tradition are especially in evidence at the Cementerio de Chichicastenango which NatGeo said is one of the world’s best cemeteries.

Chichicastenango, famous for its market, sits at 6500 ft. asl in the Western Highlands of Guatemala. Nearly all of the people are descendants of the Maya and their languages are heard all over. The market has been around for millennia, although the main church is nearly 500 years old. The Conquistadores burned all the records, including books, of the Mayan Empire. The only remaining written work of the Mayas (Popol Vuh) was hidden in Chichicastenango and discovered by a priest in the early 18th century. It is the story of the origin of man. 

In the 20th century Chichicastenango was the site of many killings. Indigenous populations were being eradicated by the right wing military dictatorships that had the people by the throat.

So the city, and it’s burial grounds, is leadened with ancient spiritual mysteries, conquistador oppression, and modern-day ethnic cleansing.

I spent quite a bit of time within the colorful confines of the cementerio with a guide I had hired for the day. I had been warned that it was quite dangerous as bandits hid in the alleys and streets of the graveyard preying on mourners. Crosses and mausoleums like small houses are meticulously cared for and repainted frequently in colors that have meaning. White symbolizes purity and is used for infants, mothers crosses or tombs are light blue, and the aged sunny yellow. My photograph was taken on the way out and you can appreciate the bright colors of the buildings and crosses. 

In Chichicastenago examples of syncretism, the fusing of traditions from two cultures or religions, are everywhere: in the churches, in the cathedral, and in the cemetery.

Chichicastenango.  A mystical place if I’ve ever seen one.  In the photograph black smoke rises as some rite is being executed. Within, there are altars here and there with melted candle wax of many colors, empty bottles of “Indita” (aguardiente), a…

Chichicastenango. A mystical place if I’ve ever seen one. In the photograph black smoke rises as some rite is being executed. Within, there are altars here and there with melted candle wax of many colors, empty bottles of “Indita” (aguardiente), and animal bones, mostly chicken. 


Xela (Quetzaltenango)

The Cementerio Minerva in Xela, also known as Quezaltenango, is marvelously maintained. This is evident in the photographs below where a worker sprays for pests and a lady carries out grass clippings. Xela, also in the Guatemalan western highlands, is mostly indigenous and is one of the country’s largest cities. I rather liked the place even though I was quite sick with an infection in my chest from breathing in volcano ash several nights before. I sleep with my mouth open, which is not a good thing when there is a major eruption (Volcán Fuego).

In any event, Xela’s stacked mausoleums are painted in bright colors by painters paid by families to refresh the resting places of their loved ones.  It’s a cheery and pleasant place. I really liked this graveyard. Splashy colors, aromas, people (its a gathering place for gossips) and yet it has gravitas as the final resting place for many locals. Color abounds!

A worker sprays for pests at the colorful cemetery in Xela, Guatemala.

A worker sprays for pests at the colorful cemetery in Xela, Guatemala.

One of my favorite images of my visit to Cementerio Minerva was this one of another worker, an aged indigenous lady whose job was to carry out the cut grass to the street. The grass is wet and heavy, but she is undaunted. 

One of my favorite images of my visit to Cementerio Minerva was this one of another worker, an aged indigenous lady whose job was to carry out the cut grass to the street. The grass is wet and heavy, but she is undaunted. 

A typical wall of graves, stacked to save space. They are colored and repainted by family members who also hand write the names of the dead. These type of structures are typical of most of Latin America.

A typical wall of graves, stacked to save space. They are colored and repainted by family members who also hand write the names of the dead. These type of structures are typical of most of Latin America.

A lady and her boys on the way out of one of the many passageways in Xela.  They are dressed in their Sunday best.  I particularly like the boy on the right with his shirt untucked.

A lady and her boys on the way out of one of the many passageways in Xela. They are dressed in their Sunday best. I particularly like the boy on the right with his shirt untucked.

Note the similarities and differences between Xela and this cemetery in the Andean city of Ayacucho, Peru.

Note the similarities and differences between Xela and this cemetery in the Andean city of Ayacucho, Peru.

Cemeteries are a glimpse into the past and local culture

There is history in the graves. When I visit them I’m often attracted to the dates and epitaphs and try to piece together relationships and construct a story line. In Texas and elsewhere there are many headstones, especially those marking children’s graves, with dates corresponding to the misnamed pandemic of the 20th Century: the Spanish Flu (1918-1920). 

As a cultural photographer I am drawn to cemeteries because they are a window into culture and reveal to us the way in which deceased are remembered or honored. . There are remarkable differences in the way the deceased are remembered in Guatemala and Vienna, for example.  And there is always chance to watch a funeral!! Some day I may be lucky enough to see this African funeral rite: https://www.youtube.com/watch?v=EroOICwfD3g


The Phillips Cemetery in Dripping Springs, Texas at dusk is a sad and lonely place.

The Phillips Cemetery in Dripping Springs, Texas at dusk is a sad and lonely place.

Humble and simple burial grounds in the Southwest US

In El Paso, a crossing for immigrants seeking better things, life is hard and so is the earth. More stone than dirt really. Most cemeteries there are modest affairs and not elaborate in any way. Perhaps that makes them places of pathos and sadness. This photographs of the camposanto in Socorro, Texas reflects that I think. What is more humble that a wooden cross?

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Perhaps one of the richest areas for taphophiles is Northern New Mexico where sometimes cultures clash.  No syncretism there. Traditionally catholic and poor, many of the camposantos are very sparse, humble plots of land.  But some families seek to provide their loved ones with a sense of grandeur or dignity by constructing elaborate, but simple (if that is possible) markers such as this one in Los Llanitos. Conversely, I came across a less traditional marker depicting what I believe is the deceased on his Harley Davidson. 

The cemetery in Galisteo, NM is a melancholy place in the foothills just a bit south of the state capitol in Santa Fe. 

The old graveyard in Galisteo, NM. Simple and dignified.

The old graveyard in Galisteo, NM. Simple and dignified.

Los Llanitos in Tierra Amarilla, NM has this gem. A grave marked by a Harley-Davidson and the silhouette of the deceased.  Made me chuckle.

Los Llanitos in Tierra Amarilla, NM has this gem. A grave marked by a Harley-Davidson and the silhouette of the deceased. Made me chuckle.

Some more artistry in the Los Llanitos cemetery, just outside of Truchas, NM.

Some more artistry in the Los Llanitos cemetery, just outside of Truchas, NM.

Ossuaries

Im a big fan of ossuaries and my trip to Portugal had to include the ossuary that is in every guide book, the Capela dos Ossos (Chapel of Bones) inside the Igreja de São Francisco in Évora. Five thousand corpses from the middle ages were exhumed by the monks and rearranged on the walls and columns of the capela. To me, fascinating. 

The Chapel of Bones. Igreja e Mosteiro de São Francisco de Évora, Portugal

The Chapel of Bones. Igreja e Mosteiro de São Francisco de Évora, Portugal

Heartgrabbing sites

Sometimes, if you pay attention to dates and epitaphs, you come across heartbreaking markers. This one I saw in Iceland, land of tiny towns and tinier gravesites. A cross marks the burial site of a 1-year-old boy and occupies the most prominent of locations in the grave yard. What could have happened to him? 

Iceland+Grave+of+3+year+old_-3.jpg

Simple crosses mark nearly all graves in Iceland in line with the state religion, the Church of Iceland whose houses of worship are austere and devoid of any decoration.  One exception is the tombstone marking Chess Grandmaster and World Champion Bobby Fischer, an American who renounced his citizenship and became an Icelander. Still simple, but made of stone and not wood.

Bobby+Fischer-1.jpg
 

Pathos and Melancholy

This epitaph is the saddest I have ever seen (translation below). I came across it in Portugal an old country steeped in nostalgia, melancholy and saudades. Just listen to some fado, the national music, and you will know what I mean.

Ana Umbelina Cavaca Alves 1933-2016Now you are in heaven. The hurt and the emptiness we feel,  only you could assuage within your bosom,  With your love. You took something of us, You left something of yourself.  Our longing for you h…

Ana Umbelina Cavaca Alves
1933-2016

Now you are in heaven.
The hurt and the emptiness we feel, 
only you could assuage within your bosom, 
With your love. You took something of us,
You left something of yourself. 
Our longing for you has no end, 
It shall stay with us until the day we reunite.

It is for you we cry. It is for you the roses cry.
You live in our hearts. We are grateful to you for being the best mother in the world. Pray for us. 
With much love from your children, grandchildren, and great-grandchildren.  

Military Cemeteries

I get no joy walking through Arlington National Cemetery or this National Cemetery on the outskirts of Santa Fé, New Mexico. They do no fill me with peace. They sadden and sometimes anger me. While honoring those felled in battle defending our freedoms, they also are monuments to the waste of war. I start to look at the dates and do the math. Gut wrenching. Lives of brothers and lovers, of fathers and sons, ended at 18- or 20- years old.

Santa Fe National Cemetery with some 60,000 graves.

Santa Fe National Cemetery with some 60,000 graves.

Mexico

I am seldom disappointed when traveling through colonial Mexico. When I visited Zacatecas in spring of 2018, I took a short bus trip to Jerez, a terrific town where I took in a wedding on horseback, stumbled upon a beautiful library, and strolled through its picturesque cemetery. The striking bougainvillea particularly caught my eye: life among the dead. 

With its roots deep into the soil and fed by the remains of persons past, this bougainvillea brightens up the Jerez Cemetery.

With its roots deep into the soil and fed by the remains of persons past, this bougainvillea brightens up the Jerez Cemetery.

Not a particularly noteworthy cementerio, this place in Guanajuato had a marvelous view of the mountain through its entrance arch. A remarkable city, Guanajuato, with it’s own unique and macabre museum of mummies.

Guanajuato.

Guanajuato.

I rather liked this one: Jerez, Zac., Mexico

I rather liked this one: Jerez, Zac., Mexico

Cemeteries of the Baltic republics

The older cemeteries of the Baltic republics, formerly Soviet buffer states like Estonia, Latvia, and Lithuania, are marvelous. Poland’s too. They have been allowed to be overgrown with trees since WWII so now they are young forests with shade, shadow, and color. Outdoor galleries of art, open to all to stroll, inhale the perfumes of the seasons, sit and read a book or write a poem, or be inspired to photograph them.

Enter traveller ….  A Vilnius cemetery in the fall.

Enter traveller …. A Vilnius cemetery in the fall.

I have two representative images of the Bernadine Cemetery in Lithuania that was run by the Bernadine Monks. It’s rather large, wooded, and a great place to walk and spend an hour or two. Located in the Užupis district of Vilnius, it’s not hard to find.

Above is a meandering path. I found it very inviting. It was October.

I was struck by the elegance of the grave below with its display of yellow flowers and exquisite art on the stones.

Cemeteries are art galleries, notice the work on this stone triptych.

Cemeteries are art galleries, notice the work on this stone triptych.

In Conclusion

I have many more images to add. My experiences in the some of the old cemeteries of Eastern Europe, particularly the Jewish Cemeteries, did fill me with dread and I haven’t really worked at those photographs. Warsaw and Riga in particular are incredibly difficult sometimes to look at. But I will get around it.

In the meantime I am looking forward to seeing more of these in my travels.

I leave you with this lovely building, a storage shed for the workers at the cemetery in Óbidos, Portugal.

Going into the Obidos, Portugal cementerio I stumbled across this lovely building, a toolshed.

Going into the Obidos, Portugal cementerio I stumbled across this lovely building, a toolshed.

Appendix: Cemeteries in Chile

Cementerio Municipal Sara Braun, Punta Arenas, Chile

A recent trip to Chile took me to some of the most intriguing and interesting cemeteries. I’ll start with the Cemetery of Punta Arenas: Cementerio Municipal Sara Braun. The residents of this town which sits on the Strait of Magellan in Southern Chile are proud to call the place the world’s most beautiful cemetery. Perhaps it is. It is meticulously maintained every day by gardeners with sunburnt eastern European faces who cut, clip, water, and admire their results. Long avenues of carefully coiffed Chilean evergreens cover acres and acres of the parklike atmosphere. It’s a major attraction in the town of Punta Arenas, almost 6000 miles from Austin, Texas. It’s a shorter trip (by 1000 miles) from Austin to London!

Models of homes sit on graves at the Cementerio de Teupa, near Chonchi in Chiloé.

On the Chiloé Archipelago I found the most interesting cemetery I have ever seen. In Teupa, one of the many charming towns that dot Isla Grande, many graves have houses on top. These are not crypts, but models of the home owned by the deceased. Some have model furniture inside them, along with flowers.

Thank you to a gentleman who observed me photographing old buildings in nearby Chonchi. He approached me, we chatted, and he recommended this place which he felt would interest a cultural photographer.

In the port city of Valparaíso there exists a Cementerio de Disidentes, or the dissidents cemetery. Not a graveyard for revolutionaries or anyone rebelling against the government, dissidents in this context includes foreigners and non-Catholics. There are a lot of German, French, English, and Croatian graves here. But most interesting, to me, was this tomb pictured. It contains the remains of American sailors who were aboard the Frigate USS Essex, defeated in the Battle of Valparaíso against the British in 1814, at the tail end of the War of 1812 (The American War of 1812).

It’s remarkable that these sailors, memorialized in the Cementerio de Disidentes, were 20,000 nautical miles from Boston. Consider that the circumference of the earth is 22,000 miles they were almost a full world away.

A word to other photographers and cemetery fans, it was just outside the doors of this place that I was mugged and stripped of some valuables. No threats, aggression, or injuries except to my ego.

The Cultural Photographer's Pledge

A man in Santiago de Atitlan, a village on the lake of the same name in Guatemala. A short conversation, a gift and a tip, resulted in this photograph that is part of my Guatemala portfolio.

A man in Santiago de Atitlan, a village on the lake of the same name in Guatemala. A short conversation, a gift and a tip, resulted in this photograph that is part of my Guatemala portfolio.

Over the past few years I have witnessed abominable behavior on the part of tourists armed with cameras. I suppose many feel they paid for this bucket list vacation of a lifetime and by God they are going to get a picture that will impress everyone back home.

Thus the buses disgorge scores of sunburnt travelers clad with Nikons, Canons, and what have you into the plaza of Chichicastenango, a centuries old city in Guatemala inhabited by mostly indigenous people, only to stick their lenses in their faces. Certainly the tour guide warned them of this cultural faux pas. Maybe not. Click click click and move on to the next one. Meanwhile the women who try to eke out a living selling aguacates or homemade crafts feel violated and humiliated. It’s over when the bus leaves but there are many buses every day, every week, every month, every year.

Certainly you want to photograph the color and tradition in a place like Chichicastenango. Wide shots, shots where they are welcomed (a smile is usually an indicator) and unobtrusiveness are fine. And you can find suitable subjects in a place like this who will smile for you and make a great photograph to take home. I carry gifts for this purpose: hotel soaps, ball point pens, cigarettes, baseballs (great for Nicaragua, Venezuela, or Cuba), packs of crayons, perfume samplers, etc.

Perhaps an even more egregious activity is the selling of tours in Managua to go to La Chureca, Central America’s largest landfill where travelers photograph people in the most miserable conditions. The poor, many who live on the landfill, are picking through garbage, filth, dead animals, body parts, and who knows. Trying to find food. Men, women, children alike live in squalor at La Chureca and take part in this miserable endeavor every day, every week, every month, every year. And still the click click click. Cameras and cell phones.

Here is the summary of my notes on the subject of Cultural Photography ethics.

Here is the summary of my notes on the subject of Cultural Photography ethics.

I have no objection to photographs of the dump being taken for legitimate reasons: photojournalism, photographic essays, documentary photography, and things of that nature. These are important so the world can see and maybe understand. But as a souvenir or as a photograph to put up for sale in a gallery (I have seen them) is immoral.

Speaking of which, don’t even get me started on people who take selfies at Auschwitz.

I have been thinking it might be useful to set some guidelines for myself as a I travel and ply my trade as a cultural photographer. Others might care to follow.

Herein is my pledge:

No photographs of poverty, misery, or death (I photograph poor people, yes, but I try to do it in a dignified way that respects them).

Always show people in a dignified manner

Never be intrusive, consider yourself an Uninvited Guest (see below)

Remember the story behind the photograph to be able to relate later

Respect sacred places and rituals

Love what you are doing

No staged situations or photo ops (NPPA)

Avoid stereotyping (NPPA)

Treat subjects with respect (NPPA)

The concept of the Univited Guest was a philosophy taught to me at GSD&M Advertising where I worked in the 1990s. It means that the advertiser should act like a guest in someone’s home, car, office when you are communicating to them. For me it means to behave like a guest in other places that I travel to and photograph.

NPPA is the National Press Photography Association. I borrowed liberally from their Code of Ethics.

The Cultural Photographer: Why I don't use a GPS

Without a GPS you can get lost and still find something.

I seldom rent automobiles, but in Galicia I did. I wanted to wander the countryside. My grandfather was from Meira, and I drove hoping to find something of myself in the mountains or rivers or small villages. I didn’t. But the trip was memorable because of sites I didn’t expect.

Travel is about learning, experiencing new and unexpected things whether they are eye-pleasing sites or memorable people. Without a GPS my trips are random, spontaneous, and full of surprises. If I get lost I can ask for directions and talk with someone, have a conversation. I never regret wandering without a GPS.

On this trip, because I didn’t have a GPS, I got lost. Because I was lost, I found Galicia.

bridge-1.jpg

With a GPS I would have missed some experiences which I tried to capture here. Above is a bridge built in the 1700s over 300 years ago. The solitude, the bridge, the greenery, and the silent symphony of the crystalline water’s susurrus all made me wonder at the beauty of a place of which my grandfather never spoke.

Below is an image I had to go back for. I was on a small road, making the turn on a tight hill. I gasped at all this unexpected beauty. As soon as possible I had the car parked and I walked back up the hill to capture this Romanesque church and hillsides painted with yellow flowers. One of the things that comes to my mind when I think of Galicia is this image.

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Finally, a short walk through some woods took me to this idyllic place with a clear stream and singing birds. The bridge is elegant in its strength and simplicity. It is an engineering marvel. From the 8th C, this stone bridge supports itself. No mortar, no buttresses, nothing. Just expert masonry. A short walk through some woods took me to this place.

The Cultural Photographer at 12,000 feet

At a dizzying 12,500 ft. asl and the highest navigable lake in the world, Lake Titicaca is a strange and fascinating place. Two native cultures merge here and their ancient pre-columbian languages are still spoken by the majority of the residents of the lakeside city of Puno. Half use Aymara, half use Quechua but many of them are trilingual speaking both along with Spanish which is the official language of Perú.

The lake is the dominating feature of the landscape here. From a high point above the city you can see snowcapped mountains winking in the distance. But always there is the lake. It is massive. It is the largest lake in Perú and the largest lake in Bolivia. There are enormous vessels on the lake, cargo ships that ferry goods and contraband between the two countries.

One of my favorite places in Perú is Puno. Puno, a large port on the lake surprised me with its size and cosmopolitanism. It is a small city with one tall building, a literal skyscraper, a large university, a modern soccer stadium, and a handful of great restaurants all mixing, shaking, and pouring pisco sours, the national elixir.

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In Puno I was often fatigued by long walks and the altitude, so I would sit on a park bench, rest and gaze at this baroque beauty. Built in the middle of the 18th century, the Basílica San Carlos Borromeo or Puno Cathedral, is an irresistible work of art for a cultural photographer. The enormous plaza served as a hub of activity: tourists, crafts men and women, indigenous skateboarders, guides, cab drivers, religious processions-all were part of the daily activity.

A kilometer or so out on the lake are 100 floating islands inhabited by people who enjoy their lifestyle, singular in all the world. Families live together and trade with another families, sell handcrafts to tourists, farm trout, and raise small livestock all while floating on their own private island the size of a suburban cul-de-sac. Since life is entirely lived on the lake, small children have achieved amazing skills in maritime knots, boat handling, and smiling.

The photograph below shows one of the intriguing reed boats used to escort and entertain tourists by taking them through the more than 100 floating islands. Note the presence of a second promenade deck. Some of the boats are propelled by a hefty and strong lady with a paddle, some by a less powerful 8 hp outboard. Local inhabitants playfully refer to these craft as ‘Mercedes Benz.”

Lake Titicaca is one of those places to go if you think you’ve seen everything.

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The Cultural Photographer lands in deep shit

I lived in the lovely country of Costa Rica for two years after retirement. I lived on the west side of the capital San José near La Sabana and the national stadium built by the Red Chinese in exchange for Costa Rica’s silence on recognition of Taiwan. My neighbor was a former President and Nobel Peace Prize winner, Óscar Arias. I spent my days riding buses and walking the streets of San José, a pleasant capital city though with more filth and rough edges than you would expect in a country famous for pristine national parks.

I knew my way around the city very well, and knew its good and bad spots. I had self imposed curfews: downtown by 10pm, Sabana by 12m, Escalante by 11pm, a place called Lomas del Rio never. Also, it was a good idea to avoid Coca Cola altogether after 9pm. Not the drink, but a section of San José called Coca Cola near the public San Juan de Dios hospital. The area so called consisted of a market, a large bus terminal, vendors of stolen cellphones, drunks, misery in every doorway, and the smell of rotting fish and flesh. Coca Cola is statistically the most dangerous neighborhood of Costa Rica although I truly doubt that because there are far worse neighborhoods with shootings and what not (see: Lomas del Rio above), they just don’t keep statistics there. But if you want to get your purse snatched, an iPhone filched, or a crackhead holding a knife to you, Coca Cola is where it’s at.

One beautiful, tropical evening I was enjoying myself at my favorite downtown restaurant La Esquina de Buenos Aires. I often held court at the bar gossiping with the bartenders and enjoying the classy ambience of the place (classy for San José standards) . La Esquina was and still is the nexus for intellectuals, politicians, journalists. In sum, a gathering spot for the tico intelligentsia with great food and very large pours of wine and cocktails. The entertainment consisted of watching nicely dressed prostitutes gobbling filet mignons and washing them down with sangrias while their gringo expat dates, dressed like they were going to a Florida State tailgate party, looked on lasciviously.

That evening I left La Esquina and rather than take a taxi I decided to walk half way home and get the bus to my house. The walk was about a mile. Bad, bad judgement.

It was a nice walk in the clean air after two or three days of steady rain that sent rivulets down Avenida Central the pedestrian street I took to the bus terminal. As I was arriving at the half way point, the Coca Cola bus terminal, IT happened.

I stepped on a manhole cover not knowing it was slightly off its hinges and nearly floating because of the massive amount of water running beneath. My weight flipped the cover like a coin and I fell up to my left elbow in aguas negras, effluvia, human waste, caca, shit. I must have done a cartoon leap out of the hole onto the pedestrian street. I was covered up to both knees in whatever you might imagine: feces, toilet paper, condoms, tampons, gum wrappers, and cigarette butts.

There was a business there and they kindly brought me a bucket of water which I used to rinse off. I smelled like a bus station toilet on Monday morning. “Well I can’t get on a bus like this,” I said to no one in particular so I decided to tough it out and walk. As I began walking, I was aggressively approached by a crackhead (see above) “selling” candy and staring me down with far away eyes. In a proud moment I stared him down and snapped “no jodas mae, estoy empapado de mierda.”*

It was then I also realized I would never make the two miles home from there. Jeans soaked in sewer water are very, very heavy. Who knew? Also there is something called capillary action that makes liquids actually spread on cotton fabrics. I hailed a cab, normally not a healthy thing to do in Coca Cola. I got in the back and told the cab driver the situation. Together we cranked down all the windows and he drove that four cylinder Korean rattrap like it was the Millennium Falcon going through hyperspace. Pulling up to my apartment in a miasmic cloud with a screech loud enough to wake Óscar Arias (see above). I gave him twice the fare and rushed in.

Three, yes three showers were required. Two should have been enough but when I sat down with a glass of wine to decompress I smelt something fecal in my fingernails for God’s sake. Thus the third shower. Also ran the clothes washer thrice. The words of Hyman Roth in Godfather Part II came back to me: “This is the life we’ve chosen!” Another day in paradise.

But, but, but when I finally did decompress I thought about how lucky I was. I didn’t break a bone, I had no abrasions that could have attracted a fatal staph infection, I didn’t lose anything, I wasn’t robbed, nothing really bad had happened.

And I have this story.

*Don’t mess with me man, I’m soaking in shit.

Calle 12 near Coca Cola.

Calle 12 near Coca Cola.

The Cultural Photographer in Slovakia

I spent a couple of weeks in Vienna a few years ago and happened to glance at a map and see that Bratislava in the Republic of Slovakia was just downstream from me. So I decided to take a quick train and spend the night in Bratislava and explore the city. Bratislava is the opposite of Vienna, which is an elegant, sophisticated, and classy city full of culture. Bratislava, however, is gritty, blue collar, and rough around the edges. My type of place. Well it rained like crazy, so I spent most of the time in a museum which I can’t remember. But I did get this marvelous shot of a shopkeeper in the center of town.

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Planning and Cultural Photography

Circumnavigate Argentina! This idea did not occur to me until my recent trip to Buenos Aires. My father used to tell me about his long drives in the south and the people he met there, particularly one Anglo-Argentine: a third or fourth generation Irishman who spoke not a whit of English and made his living crafting books covers out of sheepskin. I want to meet people like that and driving is the only way.

Here is step one of that plan. Let me know if I’m missing anything.

NOTE: This trip never happened due to COVID 19

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History and a bus

Why is this picture here? Well, for one, it is a colorful old bus. And I love colorful old buses. This one is a Mercedes Benz schoolbus as you can see by the emblem on the hood. Old enough to have taken me to school when I lived in Buenos Aires as a kid.

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But this bus has some history attached to it. It belongs to the Partido Justicialista, one of the Peronista parties. The biggest. They hold 36 of 72 seats in the national senate at this writing. The Partido Justicialista was founded in 1946 by Juan Domingo Perón and his wife Evita. Their silhouettes are emblazened on the superior part of the coach. I find it interesting that this party, this devotion to Perón and Evita are still a strong current in the roiled waters of Argentine politics.

Landscapes and The Cultural Photographer

I am a terrible landscape photographer, so I don’t post many landscapes. This is Iceland. Sometimes the photograph just takes itself.

There’s a trunkful of photographs like this from my trip circumnavigating the island country in a camper van. Nine days by myself and the great outdoors just outside the Arctic circle. Because of scenes like this one, I did not have enough time to do the “Golden Circle” which is the tourist area. Instead, I wandered with a map and a general idea.

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The Cultural Photographer Shoots Pool

I love shooting in pool halls, or bars with pool tables. In some places smoking is still encouraged, making for great photography opportunities. Two images here, both taken at Via Via in León, Nicaragua. Via Via is the Rick’s Café Americain of León. As in “everybody comes to Rick's”. One thing about pool halls, or billar in Spanish, is that there is an element of danger. There are dark corners, men and women drinking and smoking, the clack of balls, low hanging lights, unsavory characters.

In the black and white wide shot of the billar, I tried to give it a look and feel similar to Edward Hopper’s '“Nighthawks”. This is a bad copy, I’ll hunt for a sharper one.

The bottom image was more about smoking and the player’s intense concentration. I loved the smoke and had to wait until his shot was such that the sun coming in through the window would hit his face. I edited this as much as possible

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The Cultural Photographer in Jericó

In Jericó, one of the beautiful small towns of Antioquia, work and craftsmanship are hammered out by artesans like Oscar. He works in wrought iron: fences, window grates, and decorative fixtures. He gladly stopped working for a minute to indulge me in taking his photograph. A lot to see here, least of which is Oscar’s formidable bigote.

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